We can't say that the course of Opeth', conducted by 'Mikael Akerfeld' uniform. Generally, to each album release, we wonder what will fall on us. Overall, the style is more progressive with a psychedelic same tendency in some places. This 12th album of the Swedish continues in this vein, and it is obviously quite listening to integrate all the variety of the 13 titles (altogether 16 with 3 live of older albums). 'Persephone' starts the album in the sweetness with a theme of classical guitar. We re-gear directly on a muscular title 'Sorceress', with an instrumental ending in a very progressive style. Follows 'The Wild Flowers', a tempo marked with a theme of mixing western and Eastern influences can an acoustic instrumental part while delicacy or the voice takes a phrase of the main theme to finish powerfully as the title to started. 'Will O Wisp he', acoustic ballad, makes you think groups of the 1970s, such as 'Kansas' or 'Jethro Tull', as you can see, he must love the big gaps to appreciate this new Opeth album ' which may seem difficult to access but which for my part unfolds slowly and gradually becomes obvious: the sign of maturity and limitless talent that takes us out of daily consistency because 'Sorceress' is everything except that...
-Translated by Microsoft translator- | |
